Friday, September 13, 2013

Doctor Who, Story 80: Terror of the Zygons



An excellent leading story for the 13th season
After a very subpar Cybermen story,the Doctor, Sarah and Harry come back to Earth to help UNIT investigate destroyed oil rigs. What they find are people who aren't what they appear to be, an alien threat and one version of the Loch Ness Monster. This story is full of nice touches, including the Doctor's indignation at being called back about "mineral slime" until the Brigadier reminds him of the loss of life, a look at the Brigadier's Scottish heritage and Harry not being an imbecile. The Zygons are well written with a fascinating technology and deserved to come back, which sadly never happened onscreen. However, their one appearance is well worth getting.

The Doctor won't let Zygons be Zygons
The opening story of the thirteenth season has the Doctor, Harry, and Sarah responding to the Brigadier's emergency call that he got at the end of the previous story. Three rigs by the North Sea have been destroyed in one month. First there's a radio blackout, then a weird sound that comes in, and then the rig is destroyed. UNIT is stationed in the nearby village of Tullock, Scotland to investigate.

Some curious markings from the wreckage of the Bonnie Prince Charlie, the rig destroyed at the beginning of the story leads the Doctor to do a study in orthodontology, with a cast of "a set of giant molars than can chew through solid steel as easily as paper." Could it be a manifestations of evil spirits that Angus McRanald, landlord of the inn UNIT is occupying, tells about to Sarah? "Bad luck comes to them who set foot on Tullock Moor" he tells her. But do evil spirits destroy oil rigs?

Another character is the Duke of Forgill, a cynical-looking man with a withering look who...

Zygons?...A name humans will learn to fear!
This story has be rated as one of the best ever. Not only are the monsters among the series most convincing (by 1970's Dr Who standards), but the overall atmosphere generated by the direction and production is extremely powerful. Adding to this wonderfully eerie feel, is a superb score by Geoffrey Burgon - the tension created by his music is incredible. For me John Woodnutt steals the show, playing two parts as the lead monster 'Broton', and the 'Duke'. His whispering delivery of the aliens' threat to the world ranks as one of the series most remarkable performances. Some feel that the story is let down by some badly executed animation used for the 'Skarasen' (The Loch Ness Monster). But for me, this only further enhances the appeal of the story: It's not Hollywood special effects that make it work, it's a superb mix of deep characterisation, thoughtful direction and above all, spine-tingling performances from all involved.

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